Japanese Ivory Okimono
Miniature ivory sculptures, Okimono, are the larger ornamental carvings. They were made as ornament for the tokonoma. Like netsuke, they represent Japanese habits and mythology. Buddhist idols and Noh masks inspired many artist when creating his miniature sculptures. They were made out of wood and ivory and very often sculptured by netsuke carvers during the Meiji period.
Wood was the only material employed during different centuries both in temples and Japanese housing. Around the 18th century the use of ivory increased. At the beginning of this century, the samisen (a stringed instrument) music became very popular. The plectrum to play this instrument was made out of the center part of the tusk of an elephant. The small pieces that were left over were ideal for the carving of netsuke and, at a later stage, okimono. The Westernization brought far-reaching changes to Japan. Artists had to adapt their concepts to the demand of the Western world. As a result of the influence of the West, pockets were now added to the Japanese kimono, eliminating the need for netsuke. During the Meiji period netsuke were still produced for collectors, but more and more netsuke carvers began to focus on okimono. Because of the great demand for okimono for export, many artists started to produce objects of an inferior quality. However, there were also carvers that created beautifully sculptured okimono and followed the traditional high standard of their craft.
Strong modeling with striking poses, flowing lines and strongly expressed emotions characterize these carvings. Traces of round and flat chisel marks can be found on some of these okimono. For the Japanese art lovers these chisel marks have the same appeal as the brush strokes in painting. The demand from the West lead to the trend where good craftsmanship was characterized by a smooth surface without chisel marks.